Saturday, September 20, 2008

Gastritis And Good Oils

Pupy Y Los Que Son Son

Le grandi orchester Cubane
Pupy Y Los Que Son Son
(I control Tranquilo 2008)
Il suo nome è
César de las Mercedes Pedroso Fernández, ma tutto il mondo chiama what Pupy, composer, writer, arranger, pianist and conductor, was born at 'Havana September 24, 1946 in the Vedado district. Son of Olga Fernández and César Pedroso "Nene." He comes from a musical family his father, a pianist with Chapottín, along with her grandfather Julio, her Uncle Pio escaparate was güirero Arcano y sus Maravillas;
His father often sent in several bands where he showed his skills, leading to study more and more. In 1957 he entered New Cuba orchestra, conducted by Fernando Álvarez. Later replaced his father, Sensation and Chapottín orchestra. Since June 1964, just 22 years was part of the orchestra Charm. Two years later in 1966 Elio Reve, calls him as a pianist in his orchestra. He met Juan Formell
later, in 1968 and together formed the band Los Van Van. Cesar "Pupy" Pedroso, already known in the history of Cuban music as a pianist and arranger, became the composer of the Los Van Van for many years, during which different compositions were born as:
"Seis Semanas" / "El Buenagente" / "Azúcar" / "será que se Acabó" / "Eso está bueno" / "El negro está kitchen" / "Temba, Tumba y Timba" / "La bomba soy yo" / "Ni bombones ni Caramelos" / "The Voluminous "/" Mamita Flows bien "/" Que cosas la vida take "/" El Pregonero, issues of great success. He received the 1999 Grammy Award for his participation in the CD "Llego Van Van Permiso", composing three themes: Temba, tumba y timba, El negro está kitchen, and the bomb yo soy.
tireless seeker of new ideas and composer from natural talent, was not satisfied, until he reached the goal of having his own group to say the company name as chief conductor of popular music, so was born the 0rchestra Pupy y los que Son Son, debuting on October 4th of 2001 in the town hall Güines, the province of Havana to the formation his orchestra musicians chose the Instituto Superior de Arte (ISA), and others from groups known as: La Charanga Habanera, NG La Banda, Los Van Van, Isaac Delgado, and others. With a unique style and a very definite idea of \u200b\u200bmaking music, Cesar Pedroso made his orchestra, Pupy y los que Son Son, performing with great success in all areas of the capital. The majority of dancers called "La Banda del Momento" with his music because no one could resist the temptation to dance. Pupy Pedroso was the creator of a unique and powerful sound inside the music, the instruments are the main base of musical interpretations breaking the old patterns, creating a different style, very popular with dancers, pointing the way to the new ultra-modern style of Timba, without neglecting the traditions of the Son and Salsa, with elements of Jazz, Rock and Funk, forming a mixture of sounds overwhelming. In the concept of orchestral Pupy settle mix and dubbing interesting separate instruments, including those dominated by inter-diligent keyboard with violin, or the latter with the trumpets, which basically characterize a significant number of his pieces in the introductory fragments. He has written music for documentaries and many of its themes have been interpreted by singers like Celia Cruz, Adalberto Santiago and other famous performers. In 2002, he released the first Pupy of hard training, titled "What keeps Que la vida" which contains the official versions of the orchestra's current Pupy and unpublished material. Pupy wrote "Azúcar" theme inspired by the Cuban singer, very important to Celeste Mendoza and interpreted by the immortal Celia Cruz. He collaborated in the arrangement of the theme "Que rico timbalero" written by Rodolfo Cardenas, dedicated to Tito Puente, played masterfully by Jose Luis Quintana (Changuito). Cesar Pedroso, has written more than a hundred issues, many of which were major hits like: Seissemanas, Azúcar, Después que casaste you, Tranquilo mota, Fallaste to you sacar cuenta, El buena people, Ya you bell no sound, I'm sorry, ma'am, four-year absence from the last stage, Ni Ni Candy Candy, The black is cooking, the herbalist, Temba, tumba y Timba, leaving Sebastian, will be over, That's good Pump me, the voluminous, Mother behave yourself, that things have life, The Town Crier, I love but can not be (questo per il film "Dance with Me" Chayanne interpretata da. Dopo due anni e mezzo only Pupy and Those who are, are è conosciuto in tutto il mondo ed è Stimate della qualità per la sua musica. La formazione musicale di altri grandi to Differenza orchester rimasta invariato è nel tempo, che il permesso CIO semper fosse più successo great. In year 2008 Pupy had to revise the training orchestra for one of its singers, Pepito Gomez, in a recent tour of Canada has left the orchestra, and in its place called Michel Perez, and Lily, a female voice a real talent for 22 years, born in Cuba to a family of musicians, graduated from the Conservatory "Caturla" in Havana and Cuban musical experiences with other groups, such as Richa Cha and NG La Banda. His new record production
"Tranquilo que yo controlo"
was delayed just because the output of the singer Pepito Gomez, in the latter work emphasizes the basics of Cuban music: the Danzon and Son Montuno, genres that are the roots of much contemporary music, as well as songs that have the typical characteristic sound of the orchestra. The CD has added two themes of the past: "Cuando los Anos Pasan," Danzon in a tribute to his father, and "Lend Vecina el cube", a classic Arsenio Rodriguez of the fifties, so new generations do not forget the roots . In this work relies on collaborations like Omara Portuondo, Angelito Bonne Mucic and the likes of Changuito, Joaquin Oliveira and Lazaro Dagoberto Gonzales. In the cd there are thirteen tracks, three of which already known as the Italian, and Calla calla Machucadera. A new themes as the Poquito reves (written by Angelito Bonne), Si me want to know, like that, forget that the wind took it, Varnish, From Zero, Go down, and no one can against it. Assicurarvi Posso anche questo cd che fara riempire piste da ballo you avendolo già mie sperimentato for him Serato. Discography

Best of Cesar Pedroso
Fruit prohibita
The New Generation
That thing has life
From timba to Pogolotti
My timba closed

The Quiet Good people I control
Le mie recensioni Potet him his http leggere : / / www.elsonero.it/

Saturday, June 21, 2008

How Do I Find Real Hussyfan?

Orlando" Maraca "Valle

Le grandi orchester Cuba.
ORLANDO "Maraca" Valle
Orlando 'Maraca' Valle was born at 'Havana (Cuba) in September 1966, flutist, pianist, composer, arranger, absolutely complete and eclectic musician. Just 10 years old he wrote his the first song, 'Danzon' for flute and piano and this made him consider a child prodigy, then completed his classical studies at the conservatory Amade Roldan before and, at the Istituto d 'art of' Havana then. At 16 years of age began his professional career as a flautist in the 'orchestra Emiliano Salvador, then in the group of Bobby Carcasses, to enter the legendary Irakere with Chucho Valdez. After reaching the age of 24 years decided to pursue career as a solo artist and music producer, the same year he produced, played, composed and arranged by the composer 's album' Pasaporte 'Tata Guines.Nominato's 2003 Grammy Awards for "Best Salsa Album of the Year" and winner of multiple awards CUBADISCO EGREM and in Cuba as "Best Album Fusión" 2001, "Best album of Latin - Jazz", 1995, and "Best Recording" in 2003, Cuban flutist, composer and director of the group "Maraca" everything is a live performance, when directed his group of 12 musicians. Trained musician and conductor is considered as one of the most popular names in Afro - Cuban, and Afro-Cuban group as the most influential of the nascent century. Maraca is appreciated to shine in all aspects of Afro-Cuban and Latin music, from salsa to Latin-jazz, his music is a cocktail of energy mergers and embracing the more improvisational jazz up the most danceable elements of Caribbean and popular Cuban music. He has successfully led his own groups, "Maraca & Otra Visión" and "Maraca & Afro-Cuban Jazz Masters' in over 40 countries around the world, turning almost all of Europe and the USA. Since 1996 realizes tour in Canada, Africa, Cuba, Martinique, Latin America, Colombia, Costa Rica and Brazil. His energetic performance in the scenario, its sense of spectacle, intense communication and the successful merger with the public, the musicality and variety of genres in her repertoire are celebrated and widely acclaimed by international critics demanding more and contribute to the reputation of this very creative artist and the unique character of his group. Since the creation of the group, Maraca & Otra Visión in 1995, Maraca has recorded seven solo records and appeared in over 40 productions as a flautist, 3 video-clips have been nominated and awarded during the annual responsibility of video clips Lucas Awards "in Cuba, as" Best Video-clip for the merger "and" Best New Artist. " When Maraca is not on tour with his band, composes, records and produces for other artists of international renown, as Cubans (Cuba), Afro-Cuban All-Stars (Cuba) Nora (Japan), Orlando Poleo (Venezuela), Cesaria Evora (Cape Verde), and many other artists.
Valle "Maraca" is also the creator and director of "Maraca & Afro-Cuban Jazz Masters', consists of 15 musicians, the group has appeared on various European and American stages since 2001, with leading soloists and Latin Americans like Giovanni Hidalgo, Jimmy Bosch, Tata, Changuito, Cubans and other soloists. Maraca & Afro Cuban Jazz Masters is characterized by the high level of music for soloists invited the international recognition of, and the complicity and enthusiasm of its participants in the scenario, always willing to hand over the better part of their music, with an original repertoire and brilliant explosives. Maraca often receives assignments conducts concerts, shows unusual and ambitious, like the show for the 120th anniversary of rum "Havana Club" tells the musical story of Cuba through a big-band and a dance troupe of 120 dancers designed to the occasion or memorable concerts for the Cuban national press, such as the Havana Jazz Plaza Festival in 1997, along with Los Muñequitos de Matanzas and Giovanni Hidalgo and David Sanchez in 1998, then in 2002 and 2004, along with Yoruba Andabo, gathered in the scenario where the National Theater of Cuba thirty musicians, folk dancers and drummers.
discography and videography
2005 - YO SOY
CUBADISCO Prize (Cuba) 2006.
2004 - BEST OF BAILABLES
Award CUBADISCO Maraca (Cuba) Best DVD of 2005.
2002 - TREMENDOUS RUMBA
CUBADISCO Prize (Cuba) nominated in two categories, Best cd ballabilee popular music and the best production of 2003. 'S ANNUAL GRAMMY AWARDS
Award (EE UU-) How to best salsa album of the year 2003. Appointed
premium LUCAS (Cuba), best video clip salsa in 2003.
2000 - DESCARGA TOTAL
CUBADISCO Prize (Cuba) in 3 categories (Fusion, música tradicional, production) 2001. Premios
LUCAS (CUBA), best video clip salsa 2001.
1999 - Sonando
CUBADISCO Prize (Cuba) in 3 categories (Fusion, música tradicional, production) 2000. LUCAS
Prize (Cuba), best video clip salsa 1999.
1998 - AFRO-CUBAN JAZZ PROJECT / DESCARGA UNO
CUBADISCO Prize (Cuba) as the best latin jazz album of the year 1999.
1997 - HAVANA CALLING / MIA
Award CUBADISCO HABANA (Cuba) as the best latin jazz album of the year 1998.
1996 - HAVANA FLUTE SUMMIT
1995 - FORMULA ONE
EGREM Prize (Cuba) as the best latin jazz album of the year 1996.
1994 - Grand Prix Pasaporte
EGREM (Cuba) as the best album the year 1995. Reviews of El
Sonero you can read about the dj http://www.elsonero.it/ and http://timbaitalia.blogspot.com/

Thursday, May 22, 2008

Is Greatglam Any Good

Storia e dei Los Van Van Preview



Large Cuban orchestras
History and discography LOS VAN VAN

In 1968, Juan Formell made his first recording as Music Director for Helene Burke "De mis recuerdos" and the Orchestra Reve "Ritmos de Cuba" .
Formell founded Los Van Van in 1969. The group immediately began recording, 9 tracks, plus three others, which were fitted into Their first LP released in late 1969, and included in the cd the Colección, Vol 1.
The first album was still experimenting with pop fusion begun by Formell Revé.
Almost immediately after the first volume, Egues Blas, a member of the group was replaced by José Luis "Changuito" Quintana. The contribution of Changuito coincided with the maturation as a songwriter of Formell and Los Van Van became famous in the space of six years, a period of time was enough to consider them as the most important Cuban. The years 1970 to 1976 are the years when Los Van Van are studying the enigmatic genre of "Song." In 1973 Armando Cuervo
replaced José Luis Martinez.
In 1974, Pedro Calvo, who had sung with Ritmo Oriental, replaced Lele, which became part of Los Reyes 73, but returned in 1980 for one year with the Los Van Van, then left for South America.
The second LP Van Van was recorded in Spain in 1974, while in previous years they recorded five 45 rpm singles, which were again recorded for LP release in 1974, some evidence was completely rearranged and new recordings, some can be found in the compilation and bootlegs. In 1974 came the Colección
Vol.2 and Vol.3. At the 1978 Festival
recorded Irakere, which became the famous concert of the Colección Vol.4. To this, the Los Van Van added a single entitled Solidaridad anti-imperialism. The
Vol.5 seemed to go in four different directions from each other. Unforgettable are the ballads and Elisa El tren de Jaraguey, Lazaro Moru, who joined the group for a single registration. Color TV is one of the most successful hits, very significant was the debut of the Van Van flutist, Jose Luis "El Tosco" Cortés, who played with Irakere in the '80s and later founded NG La Banda, which is generally considered the first timba group. The Vol.5 also contains one of the few compositions written by one of the most prolific lead singer of Los Van Van, Pedro Calvo.
Significant was also the debut of the composition of Pupy Pedroso, who became the second most prolific composer, but also a leader and composer of the most important new group of the 2000s, Los Que Son Son. In
Vol 6 for the first time you add the trombones. With his idea Formell anticipates Revé, but the introduction of the trombones in the band in concert was conceived even before the Cuban from Charanga. The
Vol 6 has the feature the return of the singer founder Miguel "Lele" Rasalps, father of Abdel "Lele" Rasalps, who sang with the group until 2001.
El Baile del Buey cansao, a song title and album, Los Van Van made the most important group of Cuba Based on the rhythm of the old conga line, is a song innovative, but it attracts attention.
Israel Sardinas, an excellent singer and composer, he stayed with the band for one album, but he played more important. Sardinas then moved to Miami, where he formed a group as a tribute to Beny Moré before his death in 2007. Por encima
of nivel, better known as Sandunguera, is one of the greatest songs of Formell who best distinguished from other ways to be of Los Van Van.
Mario Valdes replaced, Israel Sardinas. His nickname was Mayito today is called "the first Mayito. He stayed with the band until the early 90s.
El Baile del Buey cansao did so much buzz that chose Rubén Blades to do a cover of Los Van Van, the song he chose was Fri Anda y Mueve, which proved rather a questionable remake of All Night Long "by Lionel Ritchie. In 1985 and Cristobal
Lazaro Gonzalez, who played the trombone, leaving the group and are replaced by a fantastic trio: Alvaro Collado, Edmundo "Mundo" Pina and the genius of timba Hugo Morejon. In the following
6 -7 years there were changes in the group. He had grown to form a perfect union between Formell, Pupy, Changuito, Hugo.
El buena people became the title of their third CD with the Los Que Son Son.
Another great album that contains one of the classics of all time is The Los VanVan titimania. The collection of Los Van
Vav ended with Volume 15 and if they decided to end it here was because it needed a spectacular final with a superb double album. With the Colección
reference is made to pre-timba of Los Van Van, but when it comes to Disco Azucar reference is made to their term timba. The group is said to Angel Bonne saxe voice, was also a new composer.
change more shocking was that there was in the group's departure Changuito and replace it was virtually impossible. Also Mayito Valdés was replaced by Mayito Rivera, a young percussionist and singer. The last recorded in 1994
en vivo this was one of a dozen albums recorded during these years can be considered the best Los Van Van.
Violinists Leyva and Linares came out of the group and were replaced by Pedro Fajardo Charanga Habanera's. The flutist Orlando Canto was replaced by Jorge Leliebre. And even after Angel Bonne regisrato 5 albums with the group walked away and was replaced by Robert "Roberton" Guayacan "Hernandez.
In 1999, the album Llego Van Van won a Grammy for best album. Angel Bonne
returned to sing the beautiful Havana City, which was also included in his solo album y Bonne Bonne Co.
Shortly before 2001, Pedro Calvo left the band and formed his own band La Justicia, and was replaced by two singers . In mid-2001, Pupy Pedroso left the band to put on Los Que Son Son, he was replaced by Robert "Cucurucho" Carlos Valdes, who had played with Charanga Habanera, Charanga Forever with the, with Issac Delgado and Paulo FG. The violinist Gerardo Miró left the band to go with Pupy and was replaced by young Irving Frontera. In 2004 Chapeando
released, an album that marks the new line of the group, following the abandonment of Cesar Pedroso, and Pedro Calvo, replaced by Lele Rosales and Yeni Valdes.

Discography
1969 - Juan Formell y Los Van Van. Vol
1974 - Juan Formell y Los Van Van. Vol II
1974 - Juan Formell and Los Van Van. Vol III
1976 - Juan Formell and Los Van Van. Vol IV
1979 - Juan Formell and Los Van Van. Vol V
1980 - Juan Formell and Los Van Van. Vol VI
1982 - Juan Formell and Los Van Van. Vol VII-The Ox Dance cansao
1983 - Juan Formell and Los Van Van. Vol VIII, That Track
1984 - Juan Formell and Los Van Van. Vol IX "Go look and move
1985 - Juan Formell and Los Van Van. Vol X-La Havana if
1986-Live DVD - Live in Europe 1986
- Juan Formell and Los Van Van. Vol XI "That which goes
1987 - Juan Formell and Los Van Van. Vol XII, Al Son del Caribe
1988 - Juan Formell and Los Van Van. Vol XIII-The black man has Nà
1989 - Juan Formell and Los Van Van. Vol XIV - Chronicles
1990 - Juan Formell and Los Van Van. Vol XV - Here the dance is a
1992 - Disco Azucar
1994 - The latest in vivo
1995 - ¡Ay Dios Ampárame!
1997 - Te Pone La Cabeza Mala
1999 - Llego Van Van - Van Van Is Here
1999 - Live at Miami Arena
200
3 - En el Malecón de la Habana
2004 - Chapeando
2007 - Live From Camagüey
2008 - Aqui el que baila gana (El Concierto)
's official the upcoming release of a new production of the Cuban group. This will be a CD / DVD entitled uncertain "A que me keep" or "Arrasando" that oldies group will contain a modern twist such as Dale dos, a mamita with the latest songs you put la cabeza mala, Chapeando ... in this new production of the Van Van will be joined by former members of the group as well as other major artists . Reviews of El Sonero Dj can also read about the
www.elsonero.it

Wednesday, May 7, 2008

Running Jprofiler With Tomcat As A Service

MiceCars: Secret Message # 2